Alexander Mostov is our Featured
Illustrator for July/August!
Illustrator for July/August!
He was
the 1st Place Runner-up at the 25th SCBWI Western Washington Conference for
Writers and Illustrators this past spring. Alexander is a full-time freelance
illustrator living in Seattle working for a variety of clients including local
and national magazines, advertising agencies, publishers, and motion graphic
studios. He originally graduated with a degree in architecture but quickly
realized it didn’t satisfy his creative pursuits.
the 1st Place Runner-up at the 25th SCBWI Western Washington Conference for
Writers and Illustrators this past spring. Alexander is a full-time freelance
illustrator living in Seattle working for a variety of clients including local
and national magazines, advertising agencies, publishers, and motion graphic
studios. He originally graduated with a degree in architecture but quickly
realized it didn’t satisfy his creative pursuits.
Canyou briefly explain your creative process, favorite mediums, etc?
I
work in several different mediums and am constantly experimenting with new
ones. For commercial work, I usually work in a 2-step process where I first
create ink drawings on bristol board and use a light table to create graphite
and charcoal textures on top of them. I then scan all of these drawings onto my
computer and use Photoshop to color and collage them until I am happy. I also
work in gouache, which is probably my favorite medium, especially for achieving
a naive, “kid-friendly” aesthetic. Recently I have begun playing with colored
pencil and pastel pencil as well.
work in several different mediums and am constantly experimenting with new
ones. For commercial work, I usually work in a 2-step process where I first
create ink drawings on bristol board and use a light table to create graphite
and charcoal textures on top of them. I then scan all of these drawings onto my
computer and use Photoshop to color and collage them until I am happy. I also
work in gouache, which is probably my favorite medium, especially for achieving
a naive, “kid-friendly” aesthetic. Recently I have begun playing with colored
pencil and pastel pencil as well.
Where do you find your ideas? Do you have
a process?
a process?
Books, movies, people, and increasingly the internet.
I am constantly consuming images, both illustrations and photos. Pinterest is a
valuable tool for me, and I would recommend using that or some other platform
to organize and record inspiration. Also, I try to keep one of the pocket size
Moleskine with me at all times in case an idea comes to me.
I am constantly consuming images, both illustrations and photos. Pinterest is a
valuable tool for me, and I would recommend using that or some other platform
to organize and record inspiration. Also, I try to keep one of the pocket size
Moleskine with me at all times in case an idea comes to me.
How do you deal with creative blocks?
Whenever I have an idea for an illustration, I sketch
it on a little scrap of paper laying around. I have a collection of these
scribbles in my apartment and studio. If I am stuck on a project, I look
through the old scraps of paper and more times than not something from those
will be usable. Additionally, walking and listening to music is usually
helpful.
it on a little scrap of paper laying around. I have a collection of these
scribbles in my apartment and studio. If I am stuck on a project, I look
through the old scraps of paper and more times than not something from those
will be usable. Additionally, walking and listening to music is usually
helpful.
Who are your illustrator heroes?
I am a big fan of Miroslav Šašek and his ‘This is…’
series. I find the way he alternated between contrasting brush techniques very
inspiring. I also love the work of Russian Folktale illustrator Ivan Bilibin,
although his style is very different from my own. My favorite children’s book
illustrators include Jan Brett and, of course, Ezra Jack Keats. There are also many
contemporary illustrators I am regularly inspired by including Eleanor Davis,
Carson Ellis, and Christian Robinson.
series. I find the way he alternated between contrasting brush techniques very
inspiring. I also love the work of Russian Folktale illustrator Ivan Bilibin,
although his style is very different from my own. My favorite children’s book
illustrators include Jan Brett and, of course, Ezra Jack Keats. There are also many
contemporary illustrators I am regularly inspired by including Eleanor Davis,
Carson Ellis, and Christian Robinson.
Did you have any favorite children’s
books as a child?
books as a child?
Yes! My mom and grandma read lots of children’s books
to me growing up. Reading was a big part of my early education. A few that
stand out as favorites are Caps for Sale;
The Little Mouse, the Red Ripe Strawberry, and the Big Hungry Bear; Goodnight
Moon; and Animalia.
to me growing up. Reading was a big part of my early education. A few that
stand out as favorites are Caps for Sale;
The Little Mouse, the Red Ripe Strawberry, and the Big Hungry Bear; Goodnight
Moon; and Animalia.
Which literary character would be your
BFF?
BFF?
It would have to be Hobbes from Calvin and Hobbes.
What’s inspiring you and your work rightnow?
I have been reading a lot of books by Murakami
recently. He writes in a style of magic realism that I find comparable to my
style and subject matter. I am always so disappointed by the cover artwork on
his books, which I find to be a huge missed opportunity for whimsical
illustrations. I am always buying new plants (to the chagrin of my
girlfriend/roommate), which provide inspiration as I incorporate a lot of
plants in my drawings.
recently. He writes in a style of magic realism that I find comparable to my
style and subject matter. I am always so disappointed by the cover artwork on
his books, which I find to be a huge missed opportunity for whimsical
illustrations. I am always buying new plants (to the chagrin of my
girlfriend/roommate), which provide inspiration as I incorporate a lot of
plants in my drawings.
Any words of wisdom you want to share?
One valuable lesson I have learned is to focus on
pushing through and getting projects finished. Like many illustrators, I am a
perfectionist and could spend an infinite amount of time trying to make one
drawing perfect. I find it to be much more useful and productive to create as
much as possible. You usually end up learning more that way. Also, you are
probably more concerned with those nitpicky details in your drawings than
anyone else will be.
pushing through and getting projects finished. Like many illustrators, I am a
perfectionist and could spend an infinite amount of time trying to make one
drawing perfect. I find it to be much more useful and productive to create as
much as possible. You usually end up learning more that way. Also, you are
probably more concerned with those nitpicky details in your drawings than
anyone else will be.
Thank you, Alexander!
You can view Alexander’s portfolio at alexandermostov.com.